Naija Music – The Music Of Nigeria. For all those individuals not familiar with Naija Well-known music – here is the sound emanating from your Nigerian Common music scene. African common music is, around the whole, as diverse because the cultures found through the continent with every region enjoying their own unique type of popular music associated with an array of instruments many Westerners are not familiar with.
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Nigerian Music includes anything from Folk Popular music to most of the Favorite Common music found through the entire world. There are numerous indigenous and ethnic peoples in Nigerian – therefore it must not be surprising that each ethnic group enjoys its own unique music flavour and instrumentals, poetry and popular music style.
Did you know, as an example, that traditional music found in Nigeria is closely associated with its agriculture, with certain instruments not being permitted to be played during various seasons? Labour songs really are a common type of indigenous Nigerian common music that helps to keep the rhythm of workers in fields and also the river canoes (think slave songs from the Deep South).
The story is usually told about the mother cheetah who comes back home through the hunt to locate her cubs have already been trampled to death by elephants. Knowing that she is no match for these giants, she blames and kills a herd of goats. Similarly, when a team of Kenyan musicians took towards the streets a week ago calling at a discount Nigerian and Tanzanian music, these were killing goats. The elephant in this instance is history. However, not history is really a match for innovation.
It’s funny, nevertheless the country music star Kenny Rogers can come to Kenya today, charge an arm and a leg, and play monthly of sold-out stadium gigs. Yet his heyday is in the ‘80s. The identical holds true for top-tier Nigerian acts. Their time, however, is now. Kenya seems predisposed to preferring the foreign, the exotic, the western. At the potential risk of being accused of raising ‘that old trope,’ it all began using the erosion of our own culture if the colonialists came. Colonialism eroded Kenyan culture I daresay a lot more than it did in West Africa, in Uganda, in Tanzania. Kenya was a settler state. The Brits had no plans of going anywhere. Ever. And then in their assistance, and under duress, we threw the culture baby by helping cover their the pagan bath water and planted the Church and the Union Jack on the scene of the crime dressed up in mandatory, state-issued calico cloth threatened by the both mental and physical whips of our settler masters. And once the newest government in independent Kenya clamped on the Funk movement from the late 70s in addition to other artistic expression, threatening and jailing academics inside the universities and strangling the media, we shrunk into our cocoons, allowing ourselves instead to be satiated and sedated by the likes of ABBA, The Bee Gees as well as the Beatles. Homegrown innovation had been dealt a blow that would take us decades to recoup from. I used to be born middle-class (and English-speaking) in the ‘70s. My predilection for those things Western was established early in life. I might be irritated, nay embarrassed, when I’d return home from school and discover the housekeeper blasting ‘that shady Rhumba.’ After I began my music career in the 90s there weren’t many Kenyan musicians to check approximately. Anybody who had managed to record anything had been condemned by society to dying, drunk or living poor, a consequence of ‘loose morals and bad choices.’
I’m always slightly embarrassed when I introduce myself to folks I meet around the continent. I’m ‘Eric,’ as the South Africans are ‘Kgomotso’; the Nigerians are ‘Olusegun.’ Even as the Tanzanians could be ‘Damien’- pronounced ‘Da-mi-YEN’- they speak Kiswahili by using these ease and fluidity having studied subjects like Biology in their national language. The Kiswahili language rolls off their tongues like honey to the easy beat of Bongo Flavour, as near that you can get to Zouk singing on dry land. Because of this, in Tanzania, American Idol loses pride of spot to Project Bongo, possible show concentrating on homegrown talent. Conversely, urban Kenyans get so far as Sheng, a hybrid of Kiswahili and vernacular ipebrc so diverse that kids from estates separated by less than a highway have different names for the very same thing. Sheng dictionaries become obsolete by the time they go to press, owing to the rapidity within the change of vocabulary. A Sheng speaker can date you to definitely within a year of the birth, locate your home to in a street from the word you utilize for ‘car’ or ‘mobile phone.’ Within the rural areas, Kiswahili is just as foreign as Greek, and is also spoken only by those who might have picked it up at school or by those ethnicities whose ethnic language shares a typical Bantu base with Kiswahili, similar to that between Italian and Spanish. We claim to get a national language. Listen again.